01.22.2013Comments are off for this post.

LSU football team

Article

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The LSU football team, also known as the Fighting Tigers, are the center of much student social life. As is the case with most state universities, football is absolutely huge, and the games serve to bring together the entire campus. Brian Finke’s bright, bold, graphic images expertly reflect the energy, enthusiasm, and often the absurdity of the events.

Finke first made a name for himself over ten years ago photographing high school cheerleaders and football players, which culminated in his first monograph, “2-4-6-8” (Umbrage Editions). So college football (and all that surrounds it) was a natural extension of this earlier work.

While Finke certainly shoots with a sense of humor, his photographs are never judgmental or harsh - - he seems to appreciate the hilarity of all the goings-on, while being able to recognize and highlight the best of the outlandishness. Whether one was ever a member of this community or not, the spirit of celebration is almost palpable when looking at Finke’s pictures. And for those living outside the United States, these photographs offer a fascinating glimpse into a genuine American tradition.

by Brian Paul Clamp, Director ClampArt

http://www.clampart.com

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01.16.2013Comments are off for this post.

Photo L.A.

DECODE Books will be exhibiting at Photo L.A. January 17-21, 2003, showing Construction and other recent monographs by Amy Stein, Stacy Arezou Mehrfar, and Bill Jacobson.

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01.15.2013Comments are off for this post.

Slate Feature

Most Muscular article by Alyssa Coppelman

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Finke began work on the project when he was assigned to photograph the Mr. Olympia competition in Las Vegas for Men’s Journal in 2003, “when Arnold was still involved,” Finke says via email. “At the time my first book entitled 2.4.6.8: American Cheerleading & Football Players had just been released, and I was getting all these assignments to cover the behind the scenes of sporting events, just roaming around backstage, getting right next to the athletes, capturing all the emotions involved to get a sense of the characters.”

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Finke photographed, as he says, “dozens and dozens” of contests over the course of two years, so many he lost count. He began with professional contests and eventually worked his way to photographing amateur contests, each being an entirely different experience. The professional contests were “… huge, produced productions and the amateur were homegrown. They had different competitive classes based on the body in professional and amateur, but for the most part the more informal situations and younger competitors were shot at the amateur competitions.”

Finke learned that people come to the world of bodybuilding from all walks of life, that there is no pattern to the people who end up involved. For those involved in the world of bodybuilding, the outsized muscles, excessive amounts of makeup (on both men and women competitors), and the other accoutrements of the sport become just part of the normal scenery.

All photographs from the series “Most Muscular” © Brian Finke, courtesy ClampArt, New York City.

 

01.14.2013Comments are off for this post.

CHOICE CUTS

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Las Vegas, NV

01.10.2013Comments are off for this post.

CHOICE CUTS

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KU 2012

 

01.08.2013Comments are off for this post.

Photographie.com

Article Construction reviewed.

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01.07.2013Comments are off for this post.

PDN Notable Photo Books of 2012

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"Based as we are in a city of perpetual renewal (New York City), the sight of construction projects is nothing new to us. Yet through Brian Finke’s new book, succinctly titled Construction, we see the craft of building large edifices in a way we never can through the cracks in the plywood barriers that commonly protect construction areas. Finke’s look is all-access, and his brightly lit, almost hyper-real images make the workers and the work quite beautiful. Finke’s sense of color and composition—the results of which are often playful and intriguing—engage us with patterns of I-beams, dotted with workers, reaching into cerulean skies; with bright blue valves and tangles of yellow ropes; with muscular (and not-so-muscular) workers sporting well-decorated and -worn hardhats; with yellow earth movers and green re-bar; and even piles of rock and fill. As he has with previous projects on flight attendants and on high school cheerleaders and football players, Finke encourages us to look again at something quintessentially American that we think we know. Finke’s construction is not the loud, gritty, dirty, traffic-menacing headache we experience from the outside. It’s a world of wonder, and it’s actually quite lovely."

 

 

01.03.2013Comments are off for this post.

CHOICE CUTS

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01.02.2013Comments are off for this post.

The New York Times Magazine

Article

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