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Renowned travel writers and editors on the photographs that transport them.
Brian Finke’s work was on my mind for fifteen years before I commissioned this photograph. I first noticed Finke in the late ’90s, soon after I moved to New York, when we were both in our mid-twenties. Over the next decade and a half, I watched him refine his sharp, high contrast style while straddling the art and editorial worlds. Cheeky and dark, his photographs are impressively consistent and instantly recognizable.
When Brian and I finally met in 2013, I was working as the photo director at the then fledging travel magazine AFAR. On a visit to New York, he and I chatted over a few bourbons at a local barbecue joint. Brian shoots vices, often sex-related, but not always: frat boys half naked, dripping in beer; women in hip-hop videos or beauty pageants; and marijuana producers. I considered him for many assignments, but AFAR focuses on experiential travel, rather than these nefarious pleasures. Nothing seemed right. So I waited—until a story about one of my own weaknesses crossed my desk.
Mezcal wasn’t something Brian was particularly familiar with, but I had a feeling that the Mexican liquor and its culture would be right up his alley. He returned with a body of work that thrilled me. Recently, we met again. Waiting for me on the bar was a glass of mezcal, neat, and a print of this photograph. Maybe Brian has discovered another vice?
Tara Guertin is Director of Photography at AFAR.